Departing Police Chief Brings Home The Bacon

2009pigbook
Porktacular reading material

Just in time for his retirement, our beloved police chief Pat McKinley brought home a $100,000 federal earmark for his new body armor which he designed in a partnership with seasoned police contractor Safariland, a subsidiary of Europe’s largest military contractor. Congresswoman Loretta Sanchez congratulated herself for rooting up the money for the high-priced vests as part of the Omnibus Appropriations Act.

What could be wrong with this earmark? It’s nothing but free money for the City of Fullerton – an unconditional gift from the federal government, right?

But the earmark qualifies as official government pork according to government watchdogs.

Citizens Against Government Waste have identified 10,160 projects at a cost of $19.6 billion in the 12 Appropriations Acts for fiscal 2009 that symbolize the most egregious and blatant examples of pork.  All of the items in the Congressional Pig Book Summary meet at least one of these criteria, but most satisfy at least two:

  • Requested by only one chamber of Congress;
  • Not specifically authorized;
  • Not competitively awarded;
  • Not requested by the President;
  • Greatly exceeds the President’s budget request or the previous year’s funding;
  • Not the subject of congressional hearings; or
  • Serves only a local or special interest.
Officer Rubio shows off his new vest while demonstrating a choke hold for our unsuspecting photographer.
Officer Rubio shows off his new vest while demonstrating a choke hold for our unsuspecting photographer.

There are two sides to every slab of government pork: on one hand, earmarks return a portion of Fullerton citizens’ federal tax dollars back to the city itself. If Fullerton doesn’t grab it’s share of the pie, the money will merely be assigned to some other bloated project in some other needy town far, far away.

On the flip side, earmarks represent the very worst in fiscal responsibility and big government. Appropriations Committee members arbitrarily pick winners and losers by earmarking funds for specific recipients.  Lobbyists and their congressmen bypass authorizing committees directly for pet projects, creating a giant fiscal free-for-all that undermines the Constitution and makes states and localities increasingly beholden to the federal government. Finally, the federal deficit grows unchecked and our taxes increase via the debasement of our currency.

Pork projects have haunted this nation since our early years, but they have always been reviled by fiscally responsible citizens. Thomas Jefferson considered earmarks “a source of boundless patronage to the executive, jobbing to members of Congress & their friends, and a bottomless abyss of public money”. If Jefferson knew about the exponential increase in federal earmarks over the last decade, he would likely rise from his grave to scribe a brand new Declaration of Independence.

In the end, the chiefs’ friends at Safariland are $100,000 richer, our police have new vests that cost twice as much as the old, and most importantly, the fruits of our labor have been lost in a sea of unaccountability.

Fullerton’s City Lights – FUBAR From The Word Go – Chapter The Fourth

Loyal and Patient Friends, our long narrative of the City Lights SRO is coming to a sordid climax, and a merciful denouement. We have witnessed incompetence, vindictiveness, cultural vandalism and bureaucratic usurpation of authority, But we’re still not finished. The SRO project appeared dead. The elected representatives had killed it. Democracy at work! But as long-time city-watchers know, the project is only dead when staff says it’s dead, and none of the architects of this disaster – City Manger Jim Armstrong, Planning Director Paul Dudley, or their puppet, Redevelopment Director Gary Chalupsky, wanted it dead. Because that would be an admission of what everybody else already knew – they were largely incompetent.

What The Hell Are Those Guys Smoking?
What The Hell Are Those Guys Smoking?

We left off with Dick Jones at a March, 1997 meeting waxing voluble about drug users and their nefarious ways. Nuh-uh, not in my city! Unfortunately, Jones discovered that getting the foot into the mouth is a whole heckuva lot easier than extracting it.

Need some barbeque sauce?
Need some barbeque sauce with that?

Jones was not  acute enough to pick up on clues that the City Manager, Flory and Bankhead were not going to let this die. He should have been clued in during the March meeting by the Agency attorney, who,  at the insistence of Flory, Bankhead, and a clueless Julie Sa, gave a legal opinion in public stating that Mithawalla could have a case against the Agency. Here’s where the story gets a bit murky, culpability-wise, and who orchestrated what, so rather than accuse anybody we’ll just let you – the Friends of Fullerton – draw your own conclusions.

It Ain't Over 'Till We Say It Is....

A civil rights lawsuit was adventitiously filed against Jones and the City by some guy nobody knew, claiming that the targets of Jones’ tirade were protected under the Americans with Disabilities Act; Mithawalla was waiting in the wings to go after the City for breach of contract – although clearly no contract had been established. With enough proper coaxing from people who wanted this project to live, Dick Jones, the Big Man with The Big Mouth suddenly experienced a case of shrinkage.

It Gets Soft When You Add Water...
It Gets Soft When You Add Water...

A new hearing was held in May 1997. The stage was re-set to take up the SRO project one more time. It didn’t matter that the Council majority had already spoken. The City Staff, the Redevelopment Attorney, Flory and Bankhead were determined to have the last word in order to remind everyone who really runs the City of Fullerton.

Read the rest of “Fullerton’s City Lights”: Part 1Part 2Part 3 – Part 4 – Epilogue

Fullerton’s City Lights – FUBAR From The Word Go – Act III

A New Team Was Brought in To Finish The Job
A New Team Was Brought in To Finish The Job

Loyal Friends, when we left off our last post the City’s chosen SRO “developer,” Caleb Nelson” was gone: whether he left voluntarily or was shoved aside is a moot point. He left behind an unstarted project, a history of City bungling, and an embarrassing hole in the cityscape. Sometime in 1996 Redevelopment  Director Gary Chalupsky discovered a replacement. Apparently on his own authority he chose Agit Mithawalla to take over the project. No public hearing, no RFP, no prequalifications, no City Council approval. Behind closed doors a new deal was hatching.

Don't Ask Don't Tell!

And the City Council had changed. And changed again in the fall of 1996. Jan Flory was now on the Council since 1994, trying to rewrite Recall history and a sure bet to cover up any staff misfeasance. But the newly minted councilman Dick Jones was on the dais. He had run as the voice of conservatism in Fullerton and it was known that his pals in the Chamber were dead set against an SRO across the street. Public housing – the horror!

Across the street from us! No freakin' Way, Man
Across the street from us? No freakin' Way, Man

When the final agreements with Mithawalla finally reached the Council for approval in March 1997 a showdown was prepared by irate citizens who opposed the SRO project for one reason or another. Some cited inflated construction costs; some objected to deal for financial reasons; other attacked Mithawalla’s record of shoddy building in LA. When the vote came down the agreement was voted down 3-2. Bankhead and Flory, predictably, backed up the staff mess completely; Chris Norby rallied Jones and Julie Sa to oppose. Dick Jones gave the very first of his corn pone diatribes, in which he hurled invective against the project, its likely denizens, and the methadone clinic next door.

When Councilmen Attack!
When Councilmen Attack!

He was Big. He was Brave. He would soon come to regret giving voice to his peculiar worldview…

Read the rest of “Fullerton’s City Lights”: Part 1Part 2 – Part 3 – Part 4Epilogue

Fullerton’s City Lights – FUBAR From The Word Go – Part Deux

Gentle Friends of Fullerton, we left off our sad narrative with one Caleb Nelson, fly-by-night promoter, in possession of  a multi-million dollar City subsidized “affordable” housing project on Commonwealth Avenue; a project that he had as much ability to undertake as a ling cod. Our “expert” City staff had chosen this dubious individual to build a multi-million dollar “SRO’ although they must have known he didn’t have the wherewithal to build a birdhouse. They had rejected a reknowned architect; they had helped destroy an historic building; and they were just getting warmed up.

We Know What We're Doing
We're the Fullerton Redevelopment Agency. We Know What We're Doing

As this venture entered its third year (1995) the Redevelopment staff had finally seen enough. Director Gary Chalupsky, who ostensibly joined the city in 1992 as an independent agent of change, but who, by this time, had lost most of his rigid members, acted. Caleb Nelson was shown the door, and in his place Chalupsky unearthed a low-income housing developer from LA by the name of Agit Mithawala.

Aw c'mon. You didn't expect accountability, did you?
Aw c'mon. You didn't expect accountability, did you?

The only difficulty was that Mr. Chalupsky had been given no authority to re-assign the development rights conferred upon Caleb Nelson to anybody.  He did it all by himself. And he had to get the City Council help him cover his tracks…

Geez, what happened to the footprints?
Geez, what happened to the footprints?

By this time a politcal revolution had come and gone in Fullerton. Molly McClanahan and Buck Catlin were long gone, replaced by Jan Flory and, in 1996, F. Richard Jones. Fullerton was about to witness one of the most inglorious retreats in its history. Stay tuned for more…

Well if I hadn't shot off my big mouth...
It's all mind over matter, boys...

Read the rest of “Fullerton’s City Lights”: Part 1 – Part 2 – Part 3Part 4Epilogue

Fullerton’s City Lights – FUBAR From the Word Go – Part I

We're From The Fullerton RDA And We're Here to Help!
We're From The Fullerton RDA And We're Here to Help!

Damn. Another Fullerton Redevelopment Agency saga of screw up. This one is a bit long and I bring it to you Dear Friends of Fullerton in serial form.

Way, way back in the early 90s the Redevelopment Agency was still trying to figure out how to buy down the ever-increasing affordable housing set-aside monies it had illegally accumulated over the years, and which a lawsuit had forced it into spending. One type of project that was acquiring some cachet at the time was the SRO – Single Room Occupancy – a long term hotel-type rental for people in fairly marginal economic circumstances. The County had pledged a million bucks of its own to sweeten the deal.

The City solicited proposals. One came from the Bushala family for a site they already owned at Harbor and Truslow. Their partners were to be Baronne-Galasso who had done numerous similar efforts in San Diego, and their architect, the well-published Rob Quigley. http://www.robquigley.com/

The City entertained a second proposal from a gent named Caleb Nelson who seemed to be living out of his truck, along with the very silent “San Gabriel Partners” whom the public never saw. The City staff went so far as to select a site for Mr. Nelson since he owned nothing and couldn’t find City Hall without a map. Unfortunately, the chosen site on Commonwealth Avenue, included the historic Grimshaw House, a Victorian stick-style house c. 1894 that had mysteriously been left out of the 1979 historic survey – maybe because a block building then housing a thrift store had been plunked down in front of it and it was easier just to ignore.

The Grimshaw House, c. 1894, formerly on Commonwealth Avenue
The Grimshaw House, c. 1894, formerly on Commonwealth Avenue

For reasons too complicated to explain here, there was no way the City staff was going to do business with the Bushalas. Some bad blood there!  So behind the scenes an ambush was orchestrated by a couple of city council members, senior staff, and an enterprising housing tax-credit entrepreneur, Doug Chaffee, to undermine both the Bushalas as slumlords, and Baronne-Galasso as bankrupts at the final hearing.  On a 4 to 1 vote the SRO project was awarded to Caleb Nelson in the Spring of 1993. An opportunity for forward-looking architecture had been deliberately squandered.

Once the deal was done Redevelopment moved in to vacate the property. The historic Grimshaw House, intentionally put in harm’s way by the City, became an attractive target and was set on fire – twice – by an arsonist.

Oh, well.
Oh, well.

It was finally razed. A rare Nineteenth Century house, the oldest remaining structure in Downtown Fullerton, and connected to one of the early pioneer families of the County was gone – with nothing but sighs of relief from the good folks at the City.

Things Are Going Just Great!
Things Are Going Just Great! Have A Sucker!

Years passed. 1993 rolled into 1994, and 1994 into 1995 with nothing happening on the site. Despite the City’s attempt to portray him as a sound individual, it was becoming increasingly difficult to hide the truth about Mr. Nelson  and what he might be able to build, given the resources at his disposal.

Does It Come With A Balcony?
A Room With A View - And A Balcony

And this where the story gets really interesting…

Read the rest of “Fullerton’s City Lights”: Part 1 – Part 2Part 3Part 4Epilogue

The Mysterious Case of the Disappearing Downtown Sidewalk

If You Turn Sideways You Can Just Squeeze By
Warning: Sidewalk Narrows Ahead!

The twisted narrative of how the Florentine Family’s “Tuscany Club” managed to expropriate a public sidewalk is yet another tale of woe showing how badly our elected officals and their alleged professionals have manged to screw up Downtown Fullerton.

Back in 2003 the Florentines made an agreement with the Redevelopment Agency and City for an “outdoor dining” lease on the Commonwealth Avenue sidewalk at the intersection with Harbor Boulevard (forget for a moment that any outdoor patrons there would have to spend their time looking at the architectural monstrosity across the street).

Now, outdoor dining to you or me would suggest an open air space surrounded with a moveable fence or rope, and with furniture that could be picked up and taken inside. Well, that’s not what it meant to the Florentines who started construction of a foundation and a masonry wall in the public right-of-way! Sure, there were outcries of anger and dismay among the community over this blatant grab of public property, but these seemed to fall on deaf ears and the construction kept going until in the end the whole thing was completely enclosed. A private room addition right there on the public sidewalk!

Many months passed by, but the issue refused to die quietly. Finally, a big hearing was held, ostensibly to explain the situation to an outraged group of citizens. Mr. Florentine proclaimed his innocence – a victim of circumstance! The Director of Development Services, an obviously affronted F. Paul Dudley, stood  up to say how he had been in control the whole time, had done nothing wrong; and that if he had to do it all over again he would do the same thing!

The only problem with this near-tearful oration was that Dudley had no authority to let any one put a building on public property. Only the Agency and Council could do that – after a public hearing. So the building was an encroachment into the public’s right-of-way, and the offending structure should have been immediately removed. Naturally the Fullerton City Council went along with the sham. After all, nobody really expects accountability or responsibility in Fullerton, right?

First You Stake Out Your Turf
First You Stake Out Your Turf. If You Wait Long Enough They May Give It To You!

Sometime later the terms of the lease of were officially (and very quietly) modified, effectively whitewashing the whole sorry mess; but not before some valuable lessons were learned by careful observers about how things work in Fullerton.

Just Wondering: Covenant Of The Lost Art

Guggenheim Productions
Industrialist Norton Simon

Update: Please check recommended reading list based on what’s come up in the comments at: Of Interest.

As long as we’re going down the hallways of myopic design and architecture in our fair city, there is a bigger but forgotten side story that bears remembering. After all, a loss this big should never have happened.

Since almost 40 years have passed, the story bears repeating for those who were too young, and others who are new to the city.

When one sees the Hunt Library through the eyes of an architectural aficionado, one can’t help but be stunned. How did this building get here? Along with the now shuttered and desecrated Hunt Foods, it was part of an overall design by nationally renown architect William Pereira. Pereira, an architect and designer of office buildings (The TransAmerica Building), museums, university campuses (UCSD) and entire cities (the Irvine Masterplan) designed the now forlorn library. Why was this here? How? The old Hunt Foods was shuttered –a victim of an economic move out of state.  I requested the records from the city clerk and read how this building came into being. In addition, I revisited my salad-days haunt in Pasadena, watched a movie, and read the only biography of Norton Simon. (Later, the book & movie were donated to the Hunt Library).

The TransAmerican BuildingAt one point, the Hunt Library was part of the campus of Hunt Foods, owned by an entrepreneur and industrialist Norton Simon. In 1927, he and his family purchased an old orange juice bottling company in Fullerton. Over the years, they added more produce and vegetables and most notably proceeded to turn tomato sauce and ketchup into gold.

He became rich –so rich that he bought other companies. He also collected art. Loads of it. Art was on the walls of his home, in the Hunt offices and in the Periera-designed library next door. He shared his art with school children. It has been hailed as the most significant private art collections in the world. In it are collections of the Impressionists, Old Masters, Flemish, Baroque, East Indian, and Asian artifacts —his curiosity about the world was answered by art.

By 1974, he wanted to find a home for his collection.

The rest of the story and the sad conclusion may be seen in the video below.

Simon died in 1993.

Just Wondering: What else would have developed along the industrial corridors where the museum would have gone? What impact would a deeper appreciation for culture and art have on the values of a community? How would having a world class collection of art supported smaller venues such as The Muckenthaler, The Fullerton Art Museum, and even those things budgeted under community services? What effect might this have had on future building projects? What can we learn from this, and is there a place in our city for an aesthetic shaped by a deep understanding of art and culture in a time when bigger, cheaper, homogeneous and beige is deemed more reasonable?

At a time when sweeping changes are being proposed,  when city services are being cut, and when we can point to regrettable changes in our downtown landscape, it’s time to see the relationship between how we make choices to live as well as art and design.

“Art is the signature of civilizations.” –Opera Singer Beverly Sills

The Strange And Terrible Knowlwood Saga

knowlwood2
A gosh darn barn right here in Downtown Fullerton!

20 years ago the buildings at the SE corner of Harbor and Commonwealth burned down under strange circumstances, including what was left of the Sterns and Goodman store (why do historic structures keep burning down in Fullerton?). Unbeknownst to the good folks of Fullerton, perhaps the worst example of Redevelopment ineptitude was about to begin.

The owner of the property, Pierre Nicholas, proposed to build a bank building on the corner – a suitable use for the 100% corner any reasonable person would have to agree. But not the entrepreneurial geniuses who ran the Redevelopment Agency at the time – Terry Galvin and his boss Hugh Berry. The problem? Banks don’t generate any sales tax revenue and that’s what Redevelopment is all about. At one hearing a defensive Councilmember Buck Catlin exclaimed “they wanted to build a bank” with the same tone of disgust one might mention a whorehouse or an opium den.

And so Friends, the City embarked on a course to acquire a lengthy ground lease to prevent  the owner of a property to  develop it the way he wanted . Nicholas went along. Why not? Income with no effort on his part.

The Redevelopment bureaucrats already had their favored developer lined up – Sanderson/J. Ray (from Irvine!)who, in cahoots with the City, had worked out a deal with Knowlwood Restaurants to occupy a restaurant on the southerly part of the site.

The subsidized Kwowlwood was eventually ground out of the Redevelopment process – a barn shaped object clad in stucco and brick veneer (pictured, above). Yeehaw!

Meanwhile the development of the corner languished as the developer was finding tenants, and presumably a loan, hard to come by during the early 90s recession. The developer did get permission to put parking lot on the corner and just added insult to injury. The 100% corner –  a parking lot!

By 1995 the project was finally moving ahead. The developer proposed a stucco palazzo with a ludicrous dome covered with green glop. But worst of all the entire second floor was a fake! The developer still couldn’t rent it out and decided to do a movie set storefront instead.  Check out this image:

As a Phallic Symbol It Comes Up A Little Short
As a Phallic Symbol It Comes Up A Little Short
The roof is a giant bowl! This is not a joke. Just check out the picture below if you can’t believe it. The City’s heretofore 5 year saga was reduced to this sort of comic charade. Lights were placed on the floor of the area directly behind the windows to make it look like there was real space up there. To top off the irony, the designer of this mess actually got offended by the suggestion that the geraniums in the second floor planters be plastic to save water!
Maybe It Could be Used As A Swimming Pool
Maybe It Could be Used As A Swimming Pool During The Summer
Well, the City Council went along with this fiasco from start to finish with the exception of Chris Norby. And none of them ever did anything to act on their displeasure if they even experienced such an emotion in the first place. They were:

Molly McClanahan (former Councilmember and current NOCCCD Trustee)
Don Bankhead (current Councilmember)
Dick Ackerman (former Councilman, Sate Assemblyman, and State Senator)
Buck Catlin (former Councilmember)

and, lest we forget:

Julie Sa (twice elected former unintelligible Councilmember, current whereabouts unknown)

By the time the building was built and occupied 7 long years had passed – 7 years of lost property tax, and the addition ludicrous new buildings that never should have been built in the first place. For many Redevelopment watchers “Knowlwood” has become synonymous with Redevelopment boondoggles.

Oh well! As Molly McClanahan was once heard to say: hindsight is 20/20! An excellent motto for the Fullerton Redevelopment Agency.

The No Tell (Allen) Hotel – What Goes Around, Comes Around

Gee, Molly. You Didn't Think We Would Remember, Did You?
Gee, Molly. You Didn't Think We Would Remember, Did You?

Almost twenty years ago Fullerton made its first significant foray into the quagmire of affordable housing, acquiring the the Allen Hotel and turning it over to a fellow named Jose Zapeda. Mr. Zapeda’s job was to accept a huge subsidy to “renovate” the original building and build a new addition. Apartments were to be low income.

The total taxpayer payout exceeded one million dollars – a tidy sum, to be sure – over $70,000 per unit, in fact. Cynics claimed that the exorbitant subsidy was just a way to buy down the quickly escalating affordable housing spending requirement of Redevelopment law that the City had ignored for years.

The usual suspects were on board. Perhaps the most comical (and racially charged) comment came from then City councilmember Molly McClanahan who bragged: “we’re giving them one of their own” as if Mr. Zapeda, because he was Mexican American, was more qualified to build and run a low income housing project – inhabited by – Mexicans!  Molly also proclaimed that she liked the simplicity of the proposal, as if a stucco box with flush vinyl windows and stick-on brink lintels over the windows was somehow virtuous.

dsc00256
Allen Hotel - The Once and Present Tenement

The replacement of the original fenestration with plastic windows, and the transom glass with fake leaded lights (grid glued on the back!)  just showed that historic preservation was being used as a pretext for the big subsidy. With the passing of the years it’s truly hard to see how this eyesore has avoided targeting by Redevelopment as blight – since it was blighted from the moment its “designer” put pencil to paper.